2023 Curators

Jonas Jones
(he/him)

2023 Guest Curator

Christophe Devos
(he/they)

VMF x Kickstart Guest Curator

Mavreen David
(she/her)

Project Manager & Associate Curator

Past Curators

Drew Young

Drew Young

(he/him)

Lead Curator

Drew Young (b.1987 Victoria, BC) currently lives in Vancouver, British Columbia. He studied at The Victoria College of Art and received his diploma in Illustration and Applied Arts (IDEA) at Capilano University.
Young is an internationally exhibited painter with shows and projects in LA (Thinkspace Gallery), HI (POW!WOW!), SF (Gauntlet Gallery), Denver (Abend Gallery & Mirus Gallery), Tokyo (Amp), London (Rook and Raven), NYC (Re:Form Projects), Bogota (Come Together) and featured by Juxtapoz, Hi-Fructose, Booooooom. com, Supersonic Electronic and BlueCanvas.His painting accolades have brought him many curatorial and cre-ative director opportunities in recent years. He’s acted as the Vi-sual Arts curator for TedX Vancouver 2014/2015, Squamish Valley Music Festival, Skookum 2018 as well as the Founder of Snag — a weekly live-painting exhibition focused on illuminating Vancouver’s alternative arts culture.
Young currently acts as Lead Curator and Arts Consultant for the Vancouver Mural Festival. His consultation and curation efforts have led to thousands of artworks finding their way to collectors’ walls and hundreds of public art projects coming to fruition across the Lower Mainland.
dyoung.ca

Jonas Jones

Jonas Jones

(he/him)

2022 Guest Curator

Jonas Jones comes from the village of Átsnach (Tsleil-Waututh) with strong bloodlines running from Sḵwx̱ wú7mesh Úxwumixw (Squamish Nation) as well. He is great-full for teachers such as Ses Siyam (Ray Natraoro), whom taught him too indulging within the Coast Salish laws of art. A system that is passed down from master carver to apprentice.
He is honoured to be practicing this craft, as this foundation of art and way of life has been running through his blood for thousands of years. To live & breath a little piece of the old people our swa7am (ancestors) is truly a beautiful thing.
@jonasjoness

keiko Hart

keiko Hart

(keiko/they/them)

2022 Guest Curator

keiko/恵子 is a guest curator for Vancouver Mural Festival’s 2022 edition. During their term, they are focused on curating works that respond to inquiries of how we mobilize mural artistry and community for climate activism. To (re)assess and (re)imagine environmentally respectful futurisms in the face of ecological emergency, they look to their Japanese Shinto/神道 upbringing that instilled philosophies of reciprocity and caretaking for the natural world—the artists they have curated in this series center the voices of Indigenous and racialized bodies that are at the forefront of these movements, having risen up to combat the environmental racism that displaced them from their resources and gentrified their communities.
keiko’s practice includes roleplaying as a queer chatbot, posing as a digitally glitched out life drawing model, guiding community calisthenics, and live streaming green-screened karaoke performances. Since completing their MFA in Criticism and Curatorial Practice at OCAD University in 2019, they have gone on to direct and facilitate programming at various non-profit organizations and galleries, including C Magazine, the Toronto Biennial of Art, the Blackwood Gallery, and Subtle Technologies. At the latter, keiko helped found the Curatorial Mentorship Program, an initiative that actively advises and supports the next generation of curators in an intergenerational framework of skill and resource sharing developed to endure our changing realities. Connect with them:
@cakeoh
 

Jnasty

Jnasty

(he/him/they)

2022 Guest Curator

JNasty is a graffiti artist with 20+ years of experience. He takes much of his inspiration from contemporary urban culture and street art. His artwork has been presented in locations such as the 2010 Winter Olympics, TED Talks and the Vancouver Mural Festival. @j_nasty808
 

Joshua Tecumseh Robertson

Joshua Tecumseh Robertson

(he/him/they)

2022 Guest Curator

Joshua Tecumseh F. Robertson is a decolonial cultural practitioner who’s most recent work has been as curator and writer of Hope Meets Action: Echoes Through the Black Continuum, a decolonizing Black history and art exhibition which showed at the Royal BC Museum and featured in BLK: An Origin Story, a doc series premiering on the History Channel. As a long time activist and community organizer, Joshua T. cofounded Hogan’s Alley Society, a Black organization that works to redress the effects of displacement and urban renewal.
Joshua is focused on advocating for Black cultural places and subverting colonial space. His visual and audio cultural contributions, creative collaboration, research, consultancy and writing is rooted in community, daylighting new imaginings of space, history, alternative economic models of inclusion and redress based design principles. At his most passionate around issues at the intersection of race and space, Joshua is a candidate for the Masters of Arts degree in Global Studies at Humboldt University, Berlin, Germany.
@ackeetecumseh
 

Scott Sueme

(he/him)

Curator, Graffiti

Scott Sueme is a Canadian artist raised in Vancouver, BC, currently working out of his studio in East Vancouver. Since attending Emily Carr in 2006, Sueme has been working as a graphic artist and painter. Starting in the graffiti subculture, he has ventured through art, design, and installation painting. Sueme has been commissioned to work with collaborators such as HCMA Architecture, The City of Vancouver, Vancouver Parks Board, Whistler Arts Council, and Nike Canada. He has also exhibited his work Internationally in New York, San Francisco, Miami and Cape Town, South Africa. Recent exhibitions include Intercepting the Nature of Colour and Form, Gallery Jones, Vancouver, BC (2020) and Building Buildings, Mayberry Fine Art, Winnipeg, MB (2021).

Sueme’s paintings broadly follow a rubric of energetic interaction, where the juxtaposition of two colours is meant to create what he refers to as an “edge”: two off-whites, a pale and warm variant of the same hue, or two colours that match in value but clash in tone, for example. While colour quality makes up the main subject of his work, Sueme’s recent compositions speak to an ongoing investigation of balance and arrangement. As form and colour are composed, we experience their interactions as moments of playful conversation, where elements vibrate with one another and settle in harmony.

@scottsueme

Krystal Paraboo

(she/her)

Curator, Black Strathcona Resurgence Project

Krystal Paraboo is an all-encompassing creative. An Art Historian, Curator, Writer, and Community Builder, she places tremendous value on artistic expression and cultural development based on the foundation of fostering authentic human connection and inclusive practices. She graduated with a Bachelor of Honour’s Degree from Queen’s University in 2013, with a double major in Art History & History. She also attended the Bader International Study Centre in the United Kingdom, with extensive study in Art History and Curatorial Studies on-site at the Courtauld Institute, National Gallery London, and the British Museum. Krystal has an extensive footprint in Vancouver's art community. She has curated numerous art exhibitions including "The Great Big Vancouver Paradox" in 2018 for Capture Photography Festival, and has written reviews for various publications. Her work has spanned within both public and private art institutions including the Vancouver Art Gallery, working directly with both established and emerging artists. Krystal specializes in: curatorial projects, public programming, art education, research, policy, events, communications, community building, art consulting, and non-profit management.

@rocketqueen03

Chipo Chipaziwa

(she/her)

Curator Assistant, Black Strathcona Resurgence Project

Chipo Chipaziwa was born in Kuala Lumpur, Malaysia. She has lived in Malaysia; Switzerland; New York; Zimbabwe and currently resides in Vancouver.

Chipaziwa is a performance artist who works both independently and collaboratively. Chipaziwa is part of the performance art collective CUERPO, which was found by artist Guadalupe Martinez.

Chipaziwa’s work addresses the duality of subjectivity and objectivity; the notion of identity and its fluidity, and the performativity of the African [female] body.

@chipochipaziwa https://chipochipaziwa.wixsite.com/artportfolio

Zac George

(he/him)

2021 Guest Curator

Zachary George is the grandson of the late Chief Dan and Amy George from the Tsleil-watuth Nation, and late Robert and Betty Edge, who came from England to raise a family in North Vancouver. Zac grew up in North Vancouver and recently moved to Sts’ailes where he lives with his family while creating beautiful artpieces in true Salish style. He was covered with the traditional name, Sko-kay-lem, which he carries with pride as it was passed down throughout Tsleil-waututh history by the late ancestor, Abraham Skokaylem. A descendent of the Wolf Clan, Zac lives a spiritual life rich with tradition and culture. True to his teachings, Zac’s work is infused with good energy, positivity and strength as Salish people believe that all things must be done in a good way, with a strong mind and attitude. Zac has been an established artist for 18 years and his accomplishments include three large pieces for the 2010 Olympics, displayed at Rogers Arena and Pacific Colliseum. He has done poles and house posts for Tsleil-waututh Nation, Roy Stibbs Elementary, and Polygon Homes. Most recently Zac completed a house post at the Vancouver General Hospital main lobby. Zac has many carved masks in private collections and also designed murals for the Vancouver Mural Fest and Skookum Fest. In recent years, Zac has become proficient with graphic art and digitizing his designs, creating merchandise, prints. In alignment with Salish teachings, Zac takes a very spiritual and cultural approach to his work and his life. He is always learning and always open to new projects.

@zacgeorge_salishdesign

Lam Wong

(he/him)

2021 Guest Curator

“I want to create layers of meaning, not just by building relationships, making connections and creating dialogues through art, but also by bringing to light the invisible, the gaps or intervals and the mystery. This is achieved by expanding the dimensions of time and space in my work.” Lam Wong is a visual artist, curator and designer who immigrated from Hong Kong to Canada during the 1980s and studied design, art history and painting in Alberta and British Columbia. Wong works with painting, installation and performance to engage with themes such as the perception of reality, the role of art and the relationship between time, memory and space. He sees artmaking as an ongoing spiritual practice and his work draws upon his knowledge of Western art history and his interest in Eastern philosophies. Lam Wong has been based in Vancouver since 1998. He has recently exhibited his work and performed at Centre A, Campbell River Art Gallery, Canton-Sardine, Dr. Sun Yat-Sen Classical Chinese Garden, Griffin Art Projects, The Polygon Gallery, UNIT 17 and Vancouver Art Gallery. Wong is currently (2019-2021) the artist in residence at Dr. Sun Yat-Sen Classical Chinese Garden in Vancouver where he organized five major art exhibitions since 2019. He works as the Curator at Canton-Sardine, and serves as the board Vice President at Centre A (Vancouver International Centre for Contemporary Asian Art).

lamwong.com

Jas Lally

(she/her)

Curator, Punjabi Market

Jas Lally is the Assistant at Art Rental & Sales at the Vancouver Art Gallery where she works with local B.C. based artists. Her past position includes Assistant Curator at the Contemporary Art Gallery. Lally is currently serving as President for the Board of Directors of the Contemporary Art Society of Vancouver,President and Fundraising Chair for the Board of Directors of the Richmond Art Gallery Association and is on the Artist Residency Committee for Burrard Arts Foundation. She received a Masters in History of Art from the University of Birmingham, UK, in the curatorial program where she was the team leader in organizing a graduate-led exhibition of drawings from the National Portrait Gallery, London.

@jlally25

Sierra Tasi Baker

(she/her)

Guest Curator 2019

Sierra is an award winning Squamish Nation public artist, consultant, storyteller and designer. She is also of Musqueam, Kwakwaka’wakw, Tlingit and Hungarian descent. Sierra has her Masters in Sustainable Urbanism from the Bartlett School of Planning from University College London in London, England, as well as her Bachelor in Environmental Design from the School of Architecture and Landscape Architecture from UBC.

Sierra grew up in her family’s public art business, Sky Spirit Studio, learning from her father, Wade Baker (master carver, oral historian and storyteller) and mother Mary Tasi. Sierra has been creating murals and public artworks with her family since 2008. Sierra often incorporates the concept of “Two-Eyed seeing” into her work. Having one foot strongly rooted in her ancestral heritage and one foot in the Western world.

Sierra was the Creative Director of the City of North Vancouver’s “Studio in the City” program, teaching youth public art from 2016-2017. She now teaches “Decolonizing Design” through her company Sky Spirit Consulting whilst also advising on developing a uniquely Coast Salish approach to design, urban planning and community engagement.

Photography by Denita Gladeau. Makeup by Elisha Williams

@sierratasibaker

Linnea Dick

(she/her)

Guest Curator, 2019

Nation(s):Kwakwaka'wakw, Nisga'a, and Tsimshian


Artists Selected:Siobhan Joseph (Squamish), KC Hall (Heiltsuk), Sonny Green (Kamilaroi, Australia), Medianeras (Argentina), Jeska Slater (Cree)


Linnea Dick is a social justice advocate, public speaker, writer and curator from the Kwakwaka’wakw, Nisga’a and Tsimshian nations. Having grown up around artists, namely her late father Beau Dick, she is largely inspired by the way artists challenge the way we perceive the world through spirituality, philanthropy and grassroots movements. In 2013, she became involved in Indigenous activism with a conviction to create social change and help heal the injustices faced by Indigenous people, and has since continued to make contributions to various projects through her storytelling and poetry. Linnea hopes to inspire others to find their own creative gifts, so that they can begin to heal themselves and the world around them.


“I grew up with an artist’s studio in my kitchen, so I learned a lot about how art can impact the way we see the world around us. Sometimes it seems we still see art as something that can be easily hung on the walls of your home, a gallery or a museum. I’m excited to be a part of VMF this year to challenge that thinking, and learn about how mural art can change the way people interact with the space around them and create a sense of community.”


@linneajericho

Jeff Hamada

(he/him)

Guest Curator, 2019

Organization: booooooom.com

Artists Selected: Pablo Zamudio, ONEQ (Japan), Kathy Ager, Sebastian Curi, Carmen Chan

Jeff Hamada is a Japanese Canadian artist living and working in Vancouver. In 2008, he created an arts and culture platform focused on emerging artists called Booooooom.com, which quickly became the largest of its kind in Canada. He’s passionate about helping young artists get to the next stage in their career, connecting emerging talent with galleries and global brands.

“When people talk about Vancouver they often say it’s a healthy city, and I think they’re usually referring to all the jogging, and the recycling and the yoga. Public art is kind of like a gauge for how healthy our city is from a creative culture standpoint—we still have a ways to go. The Vancouver Mural Festival has brought so much colour and character to the city, I’m excited to be a part of it this year.”

@jeffhamada

Pennylane Shen

(she/her)

Guest Curator, 2018

Associated Organization:Dazed & Confucious Artist Consulting


Artists Selected: Sarah Khan, Michelle Nguyen, Bunnie Reiss (USA), Phantoms In The Front Yard, Jean Paul Langlois (Cree/Métis), Danielle Krysa (The Jealous Curator).

Pennylane Shen is an artist consultant, curator and educator. Since 2006, Dazed and Confucius has offered personalized consultations, group seminars and business development with regular seminars held worldwide. Pennylane personally assists and advises over 500 artists on a one-on-one basis each year.

Pennylane holds a Master’s Degree in Visual Culture Theory from New York University and has lectured at various forums throughout Canada, the US and the UK. Her publications discuss the politics of representation, race and fine art. At Langara College and Thrive Art Studio Pennylane is responsible for creating and instructing courses on fine art marketing and conceptual development. She has also represented University of the Arts London in the UK, preparing students for higher education in the arts.

For more than a decade, Pennylane has worked in commercial galleries such as the Bau-Xi Gallery, the longest standing commercial gallery in Canada. In her hometown of Vancouver, BC Pennylane is also a curator for the Vancouver Mural Festival.

An avid supporter of art and wellness, she sits on the board for the Vancouver General Hospital and UBC Foundation, collecting notable art pieces for hospital walls. Pennylane manages the figurative artists’ collective Phantoms in the Front Yard, showcasing the work of prominent Vancouver artists at various pop-up locations.

@dazed.and.confucius

Roxanne Charles

(she/her)

Guest Curator, 2019

Nation: Semiahmoo

Artists Selected: Zac George (Tsleil-Waututh) , Andre Salaz, Ronnie Dean Harris (Stō:lo/St’át'imc/Nlaka'pamux), Atheana Picha (Kwantlen), Jordan Gallie (Tsleil-Wauthuth)

Roxanne Charles of Semiahmoo First Nation is a cultural historian implying means of visual representation, oral history, and ceremony. Methods which have been utilized by Semiahma People for thousands of years. Roxanne holds two undergraduate degrees from Kwantlen Polytechnic University and is currently completing her Master of Fine Arts at Simon Fraser University, Vancouver. Roxanne’s work directly responds to a troubling colonial present and documents a variety of issues that reflect her life experiences such as spirituality, identity, urbanization, food security, resource extraction, trauma, and various forms of systemic violence.

@semiahmoogirl